M83
“We didn’t need a story, we didn’t need a real world.
We just had to keep walking and we became the stories
We became the places.”
With these soft spoken words on the simply-titled opening track--“Intro”-- M83 mastermind Anthony Gonzalez introduces us to his sixth record and first double disc album, Hurry Up, We’re Dreaming.
Dauntlessly singing into the void that was left behind since Saturdays=Youth, Gonzalez suddenly surges with overwhelming emotion as the music mounts an invisible precipice. Historically, he softly eased you into his world, introducing you to the lush and radiant spaces between captivating melodies and intimate lyrics, but not this time. Not on this record.
Graduating from the fuzzy, fumbling emotional cobwebs and draped ambiance of past records, Hurry Up, We’re Dreaming careens past its audience. Brazenly stretching out along the horizon, spilling glittery, golden arms of sound across the landscape, it holds your breath hostage without you even noticing you were missing it. If it seemed that Anthony was basking in the sunshine-drenched days of his youth when he released Saturdays in 2008, then it can be said that in 2011, at the age of 30, he is tempestuously charging towards his future with Hurry Up, We’re Dreaming.
Relocating to Los Angeles from Antibes, Gonzalez surrounded himself with players pivotal to completing his childhood dream of a double disc record. Producer Justin Meldal-Johnsen (Beck, NIN, The Mars Volta, Goldfrapp) and guitarist Brad Laner (from 90’s band Medicine) had been hugely influential on Anthony growing up and now were central to the new record’s creation.
Que Usan
Lead/Backing Vocals:
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SM58 Micrófono vocal
El legendario micrófono vocal sintonizado para acentuar la calidez y la nitidez de vocalistas principales y coros
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Kick:
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BETA 91A Micrófono semi-cardioide de superficie
Diseñado con alta precisión. Tiene un preamplificador integrado y un interruptor de contorno de dos posiciones.
¿Cuidando el presupuesto?
Kick:
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BETA 52A Micrófono de bombo
Optimizado para golpes graves de baja frecuencia y manejo de NPS de gran potencia.
¿Cuidando el presupuesto?
Snare Top/Bottom:
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SM57 Micrófono para instrumentos
Micrófono dinámico unidireccional (cardioide) es excepcional para la captación de instrumentos musicales y de voces.
¿Cuidando el presupuesto?
Hi-Hat:
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SM81 Micrófonos condensadores
Un micrófono de respuesta plana con un interruptor seleccionable de respuesta de baja de frecuencia.
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Overheads:
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KSM137 Micrófono para instrumentos
Un micrófono de condensador de direccionamiento frontal con un patrón polar cardioide.
¿Cuidando el presupuesto?
Guitar Cabinet:
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SM57 Micrófono para instrumentos
Micrófono dinámico unidireccional (cardioide) es excepcional para la captación de instrumentos musicales y de voces.
¿Cuidando el presupuesto?
Bass Cabinet:
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BETA 52A Micrófono de bombo
Optimizado para golpes graves de baja frecuencia y manejo de NPS de gran potencia.
¿Cuidando el presupuesto?